UrbanClimber Magazine

The X Factor

By Melissa Strong

Like any other pioneering event, first female ascents are controversial and spark debate across the board. From a decade ago to today, the number of FFAs has increased, and along with it, the importance and meaning has shifted with the changing culture. In addition to this exploration of FFAs and their place in the climbing world are a few profiles of some of climbing’s female crushers, who bring as many opinions of the term as they do FFAs on their tick lists.

FFA can mean anything from Future Farmers of America to free-fire area. Here, however, we are talking about the controversial first female ascents, i.e., when a woman climbs a problem or route that no other woman has previously sent. Due to the growth of climbing, the number of female climbers is increasing, more women are climbing stronger, and the reports of first female ascents are more frequent. Recently, Alex Puccio did the first female ascent of The Centaur (V11) in Rocky Mountain National Park, and Thomasina Pidgeon landed the FFA of Summoning Sit (V12) in Squamish, British Columbia. Some just mark these as impressives ticks on these women’s 8a.nu scorecards, but others claim they are breaking boundaries by sending something that in many cases, only men have done before. What do these ascents mean, if anything? Are they significant or important enough to even record? Lisa Rands climbed The Mandala (V12) in Bishop, California in 2008, making her the first American woman to climb V12. Now Rands is not alone at the V12 mark, as several ladies have joined her in climbing such difficult lines.

Over the years, first female ascents (FFAs) have been met with different receptions: some with praise, encouragement, and respect and others with downgrading, judgment, and jealousy. There are also first female ascents that are met with indifference. With the growing popularity of the sport, more men and women are climbing at a difficult level. Training in the gym since they were tikes means they are hitting the outdoor scene and immediately sending difficult problems. With this increased number of powerful ladies, an FFA is the result of just another day of trying hard and having fun. In other situations, FFAs have resulted in cutthroat behavior. Some women become possessive of the climb. “It’s the FFA syndrome,” Pidgeon explained. Having many of her own female first ascents, she has climbed with women who are seeking FFAs. She explains, “What I don’t like about the FFA syndrome is the competitive aspect of it. It’s akin to red-tagging a route or discouraging someone because you want the FFA. It’s poor sportsmanship, and this reaction is a normal part of nature. But it’s just that, a reaction, and I believe we can move beyond that.”

Grades change for several reasons. It’s a fact of climbing, like when holds break or when new Beta is found. In some situations, the first ascensionist might not have needed a tiny crimp in between two holds due to strength or height, like Fred Nicole or John Long. This intermediate hold is what enables women who are five feet tall to climb the problem. Natasha Barnes points out that there are undeniable and inescapable differences between male and female athletes, including size, body composition, hormones, etc. These differences come into play when a woman tries problems like the Wellsite Dyno (V10) in Hueco or the notoriously big moves on Trent’s Mom (V10) in Joe’s Valley, Utah. Climbs are different for men and women; therefore, sometimes they are approached differently. Because an intermediate is used, is the problem now easier or is it harder? Never has a problem been upgraded because of using alternative Beta such as this. In other situations, a newly found knee bar that eliminates the crux or traversing onto a different problem will change the level of difficulty, so grades settle with time, and alternative boulder problems grow from the original.

The legendary Bobbi Bensman recalls witnessing grades settling a little too quickly in Hueco Tanks, Texas, in the 1990s. “Problems were literally downgraded minutes after I did them,” she remembers. Often Bensman climbed these problems in a similar style to the men who had previously sent them, but it seemed the grade had changed instantly because she was a woman. “There was more than one downgrade in Hueco, not to mention Rifle [Colorado]. Serious Legends, Sex After Death, The Egg… all of these were graded harder. The day I did them, all were downgraded. [Better Eat Your] Wheaties was the first. Effed up, but whatever.” To be fair, there were only a handful of women out at the crags during Bobbi’s Hueco days, and fewer women were climbing just as hard as the men. When a small chick did the problem, it seemed to the guys that the problem had to be easier then they thought, and the downgrading began.

 

Years later in 2009, Jody Hansen received a similar reception in Hueco when she did Rumble in the Jungle (V12). The following day, the Internet spray was calling it easier than the grade attached. Hansen said, “I would like to say that what happened after Rumble was an isolated event. I had heard rumors that I used off-route holds, and people began to downgrade it to V11. However, as soon as I climbed my first V11s, I started seeing ‘anonymous’ threads on forums spreading rumors about my climbing abilities or attacks on me personally. I took the same grade that everyone else agreed on. If someone wanted to downgrade it, they had almost 10 years to do it by the time I got there. However, it doesn’t matter; I would have climbed it even if it were V9.” Obviously, downgrading because a woman did it does not happen with every female ascent. Sometimes the notoriety of the line stands for itself, and the question of downgrading never comes into play, such as when Lynn Hill did the first free ascent of the Nose (5.14a), El Capitan, Yosemite. And there were no rumors of downgrading Diaphanous Sea (V12) in Hueco when Alex Johnson and Alex Puccio did it this year. When Lisa Rands did the first female ascent of The Mandala (V12), she was not questioned or harassed; rather, she was widely recognized and praised, especially since she was the fi rst American woman to climb V12. Rands distinguishes between these two facts. “The Mandala is at the top of my list. It does mean a lot to me… not for the grade or the femaleascent factor, but for the history.”

Most often, FFAs are happily received by women and the climbing community. Abbey Smith of Colorado agrees that it encourages women to climb harder. Smith said she gets inspiration and motivation from other women doing lines that aren’t normally thought to be possible for women. Like a first ascent, Smith said it is a historic event that keeps the sport moving forward. Ana Burgos says knowing that a woman climbed a problem “takes away the veil of uncertainty that the problem might not go. I like to hear about FFAs the same way people like to hear about FAs.” A new door is open. Sometimes watching a guy climb a problem is inspiring, but because of the big moves, a five-foot woman is not optimistic about sending it; however, when you watch a smaller female dance up the problem, it is motivating. The fact that a problem has never been done by a woman pushes some to try a little harder. Jill Church acknowledges this and says, “I don’t seek out FFAs, but if the line is gorgeous and the problem climbs well, knowing no other woman has done it does present an extra enticement. I wouldn’t bother with a crappy problem just to try to get the FFA any more than I would get on a crappy problem just for the grade.”

And then there’s the fact that some people just don’t care. Their motto is to just go out there and try hard on it all. Rands admits that a lot of her first female ascents are the “by-product of my travels and climbing.” Claire Murphy Bell (who has many FFAs in areas like Horse Pens 40, Alabama, and Rocktown, Georgia) seeks problems that motivate her and pose a challenge, saying, “I concentrate most of my time and energy on the problems that truly inspire me, and not necessarily on the ones that suit me the best. Therefore, they tend to take a lot of work., but, in the end, they are much more satisfying. I definitely look for problems that are going to push my physical limits.” Lynn Hill has a straightforward attitude. She points out that an FFA actually means first free ascent. She says, “That is what matters. First free ascents. I think first female ascents should not be highlighted as much unless it is significantly groundbreaking.”

Still, women have been fighting for decades to be recognized in sports. Typically, men and women don’t compete against each other — think basketball, boxing, track, swimming, etc. The Olympics holds separate records for men and women: the 100-meter dash, for example (American Florence Griffith-Joyner with 10.49 seconds and Jamaican Usain Bolt with 9.58 seconds). Climbing competitions are normally the same; there are men’s and women’s divisions. “Every other sport recognizes women’s- specific accomplishments,” says Hansen. “Why should climbing be any different?”

Anywhere you look, women are pushing the boundaries. Robyn Erbesfield-Raboutou will forever be known as a World Cup superstar, and Ines Papert has already become an all-around female climbing legend. In 2008, Beth Rodden did the first ascent of the trad line Meltdown (5.14c) in Yosemite, officially designating her as the first woman to establish and lead a route of that caliber. Josune Bereziartu of Spain was the first woman to climb 5.14d/5.15a with her ascent of Bimbaluna in Switzerland, and Barbara Zangerl is the only woman who has climbed V13, with Pura Vida in Magic Wood, Switzerland. Despite any controversy that FFAs might stir up, women are undeniably raising the bar for the entire sport of climbing.

 

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Ana Burgos on The Receptionist (V10), Priest Draw, Arizona. Photo by Sam Davis

ANA BURGOS | FFAs

 

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Jill Church on Between the Cheeks (V7), Hueco Tanks, Texas. Photo by Craig Copelin

JILL CHURCH | FFAs

 

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Thomasina Pidgeon on Thriller (V9), Camp 4 Boulders, Yosemite National Park, California. Photo by Andrew Burr

THOMASINA PIDGEON | FFAs

 

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Natasha Barnes on All Mod Cons—FFA (V9), the Brickyard, Santa Barbara, California. Photo by Damon Corso

NATASHA BARNES | FFAs

 

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Jody Hansen at Holloway Boulder, Flagstaff Mountain, Boulder, Colorado. Photo by Brian Solano

JODY HANSEN | FFAs

 

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Lisa Rands on Nutsa (V12), Rocklands, South Africa. Photo by Andy Mann

LISA RANDS | FFAs

 

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Angie Payne on a problem on the North Face of Firepit Rock (V8/9), in Cochise Stronghold, Arizona. Photo by John Dickey

ANGIE PAYNE | FFAs

 
 

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